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trees that have fallen into this beautiful little spot, focal lengths narrower than 16mm will be challenged to capture the full scene here. Make no mistake, this is a substantial improvement over the previous version II (which was already an excellent lens). Although focusing was inconsistent, AF Microadjustment (to the front) made one of the two lenses focus very well with only infrequent misses. Date published:, rated 4 out of 5 by Anonymous from Nice Improvement Just upgraded from the original 16-35mm I've had since 2006. A Canon EF 25mm Extension Tube II takes the magnification "range" spec to a crazy high.14x. Cosmetics of version III are great, it feels a bit lighter and more solid in the hand, and corner sharpness is (finally!) really good. It's substantially larger than version 1, and heavier. One stop means twice as much light.
Delivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the new.
Canon, eF 1635mm f/4L, iS USM lens is a phenomenal complement to any EOS SLR camera.
Canon, eF 16 -35mm f/2.8L III USM.
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Format Compatibility 35mm Film / Full-Frame Digital Sensor. The zoom is not as wide as the prime and has slightly more distortion 16mm, but the zoom features many advantages including autofocus, a much higher maximum magnification and a range of focal lengths at approximately the same size and weight with a slightly lower. The good news is that this appears to be one of the best lenses yet for this subject. A majority of the tests were shot with a Sony A7R, simply due to the 36MP sensor. . The price tag vendere su ebay sconto is going to be a barrier for some, but serious photographers are going to find the image quality this lens delivers to be totally worth the cost. My take is that more are better. The award of a well-composed ultra-wide angle image is worth all of the effort required to get. The prime has the tilt-shift feature, but lacks the f/2.8 aperture, front filter threads, autofocus and a zoom range (of course). The 16-35 L III has a MFD (Minimum Focus Distance) of 11" (280mm) for a class-leading.25x MM (Maximum Magnification) at 35mm. The Tamron costs more than the Sigma 24-35 f/2 Art Lens, but is still considerably less expensive than the Canon 16-35 L III. I speculated that if the 16-35 f/2.8 L III was a repeat performance, it would quickly become very popular itself.
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